Rising Voices in Ethnomusicology

19.2 “Ethnomusicology Now”

Letters from the Editors

Hannah Snavely and Garrett Groesbeck

On-Air Worldbuilding: Why Community Radio Still Exists and We Should Listen

Adriane Pontecorvo

An Auto-Ethnographic View of Film Photography as a Photographer in the Hong Kong Indie Music Scene

Jonathan Chan

What Compels Me to Talk About Neoliberalism in Ethnomusicology?

Juliana Catinin

The Small Soviet Porcelain Pepper Shaker Pig

Olga Zaitseva-Herz

Artificial Intelligence as a Tool and Beyond: Three Perspectives on Positioning Generative AI Apps

Mui Kato

Framing an Object that Frames

Suyash Kumar Neupane

The Founding of Hybrid Jeonja Eumak in Korea, 1950s-80s

Sora Woo

Stories of the Field that Usually Go Untold: They Hit, But They Didn’t Run

Guillermo de Llera Blanes

Commercial Recordings and English Folk Musicians: Assessing Influences

Alexandre Hurr

Seismic Epistemologies of the Great Sand Waste

Adriane Pontecorvo

Dear SEM

Dr. Elizabeth A. Clendinning, Dr. I Wayan Sudirana, Dr. Lauren Sweetman

Ethnomusicology Now: Relating In/to the Field

Dr. Melvin Butler, Dr. Lee Veeraraghavan,
Dr. Sunaina Kale, Abigail Lindo, Allan Zheng, Hannah Snavely