Sunday, June 30, 2019

Volume 15, Number 1: Music and Movement

We are pleased to announce the publication of SEM Student News Volume 15, Number 1. This issue focuses on a theme of music and movement and features contributions by student and senior scholars on various related topics, including intersections with cognitive science, archival research on movement systems, renegotiations of the terms “music” and “movement,” and dance and embodiment studies as decolonizing practices. Additionally, semsn.com will soon host a supplemental resource list on music and movement, further complemented by an external curated music-dance bibliography in partnership with the SEM Dance, Movement, and Gesture Section.

You can read the issue here and join the conversation on our Facebook page.

Please feel free to forward this message and share the issue widely.

Best regards,
Eugenia Siegel Conte, Incoming Editor Davin Vidigal Rosenberg, Outgoing Editor

Wednesday, March 27, 2019

The Politics of Personalism

By Brendan Kibbee (City University of New York)


*This article also appears in SEM Student News 14.2, Fall/Winter 2018.

As we engage with the world as scholars concerned with music and its political effects, it is important that we not only consider what we think and say, but just as importantly, who we engage and express ourselves with, and how we think and express ourselves with others. Doing so might enable us to establish new repertoires of social action in our personal and professional lives and new ways of creating knowledge in the world. As I have been processing my experiences doing fieldwork in a crowded, working-class neighborhood in Dakar, Senegal, over the past few years, and as I have begun to think about what I hope to achieve with my work, I have become increasingly drawn to an idea of “personalism” as it manifests in the postcolonial city.

Letter from the Editor (Volume 14, Number 2)

*This letter also appears in SEM Student News 14.2, Fall/Winter 2018.

This issue of SEM Student News marks my penultimate as editor, and I am extremely grateful to have worked with SEMSN over the past six (almost seven!) years. Not all of this has involved editing, though editing has been the most meaningful to me for several reasons: I get to read and re-read the writing of my colleagues, open myself to their ways of thinking about and perceiving musicking in our lives, communicate and exchange ideas with them, and present their hard work to our readers in a way that (I hope) does it justice. This has never been an easy process and there are many challenges with which I regularly struggle, including balancing my time and energy between SEMSN, graduate school, and life in general; possessing (or not) knowledge and experience fit for evaluating such a diverse array of topics; and the ever-pervasive self-doubt that has plagued me throughout my higher education. But there is one particular challenge that I want to take this moment to attend to: the frequent appearance and continued use of terms like world music(s), non/Western, and the West in (ethno)musicology.