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Call for Submissions - 17.1, "Music & Faith"

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This is the first call for submissions for the Spring/Summer 2021 issue of SEM Student News.  This new issue, vol. 17, no.1 , will focus on the theme of Music & Faith . While there are many resources that  explore the powerful and important interactions between music and religious practice, we seek to open up  this issue to expressions of faith and faith-based practice that occur both within and outside of religious  contexts, encompassing a broad field of belief, meditation/mindfulness, and ethics. Possible topics for sub- -missions include:   Music-making as a practice of embodied faith in self, other, shared community, philosophy,  or higher power Musical expressions of faith-fullness . Faith in structures, collaborators, mentors, and fields of study Faith in/trust of academia, students, and teaching strategies Defining and circumscribing musical expression in religious/faith-based practice Dynamics between faith communities and their music  Faithfulness in musical reproductio
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FINAL Call for Submissions - 15.1 "Music & Affect"

Dear Colleagues, This is the FINAL call for submissions for the Fall/Winter 2019 issue of SEM Student News. This new issue, vol. 15, no.2, will focus on the theme of Music & Affect with attention to intersections between affect, embodiment, political engagement, and/or mindfulness and meditation in musical or sonic practices. We are seeking article submissions on any topic but will give preference to those that fit within our theme’s area of discussion. Likewise, we will consider submissions from both students and working scholars alike. We particularly seek contributions to our "Dear SEM" column from professional academics and practitioners (see below for more details). We encourage authors to submit pieces in a variety of media. Submissions may be written, photographic, or multimedia (written with visual, audio, and/or video components). We particularly solicit audio/visual contributions to correspond with the theme for this issue. We are currently accepting
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Haitian-Immigrant Artists and the Political Aesthetic of Migration in Brazil’s Polarized 2018 Presidential Campaign

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By Caetano Maschio Santos (Federal University of Rio Grande do Sul) *This article also appears in SEM Student News 14.2, Fall/Winter 2018 . I write during the first round of presidential elections in Brazil, between candidates Jair Bolsonaro and Fernando Haddad. Bolsonaro, a congressman with a military background and openly racist, chauvinist, conservative, and xenophobic opinions, runs as a member of the right-winged Social Liberal Party (PSL).[1] Backed by the army, landowners, Evangelical church leaders, and businessmen, Bolsonaro leads most public opinion polls, incarnating the idea of a national savior. Haddad, ex-mayor of São Paulo and Education Minister, runs as a member of the leftist Workers Party (PT).[2] Although widely credited with raising living standards for the poorest in the country and projecting Brazil onto an international political and economic stage, the party is also associated with corruption scandals and Brazil’s present economic and political crisis.[3]
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